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・ David Murphy (composer)
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・ David Murphy (footballer)
・ David Murphy (Irish writer)
・ David Morgan (judge)
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・ David Morgan Adams
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David Morier
・ David Morier Evans
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・ David Moritz Michael
・ David Morland IV
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・ David Morley (musician)
・ David Morley (paediatrician)
・ David Morley (poet)
・ David Morley (writer)
・ David Morneau
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David Morier : ウィキペディア英語版
David Morier

David Morier, (1705? – Jan., 1770) was an Anglo-Swiss painter of portraits, military subjects and historical scenes around and after the time of the War of the Austrian Succession and the related Jacobite rising of 1745. His most recognizable work is entitled "An Incident in the Rebellion of 1745"〔''"A Soldier-Like Way", The Material Culture of the British Infantry 1751-1768'', Track of the Wolf, Inc., Elk River, MN, 2007, p. 1〕 but is more commonly known as "The Battle of Culloden".
Morier thrived during the 1750s under the patronage of the Duke of Cumberland, the effective commander-in-chief of the British Army. He produced a number of equestrian portraits, of his patron and other senior officers, as well as his greatest series of works, known as the Grenadier Paintings, which document the uniforms and equipment of the Army in the years leading up to the Seven Years' War. After the Duke lost his position due to his inept leadership in this new war, Morier's career went into decline. He was jailed for debt in the Fleet prison in 1769 and died there early the next year.
==Coming to Britain==
Next to nothing is known of Morier's early life; even his exact year of birth is questionable. He arrived in England in 1743, and by some means obtained the patronage of the Duke during the next two years. He accompanied the Duke's army to Scotland, and while he may or may not have been an eye-witness at the Battle of Culloden, the subject of his famous painting, he did have the opportunity to make sketches of the clothing and arms of the Jacobite prisoners in the aftermath.
Morier's painting depicts the climax of the battle, when the charging Highlanders faced off against Col. Barrell's 4th Regiment of Foot. The painting remains the best contemporary source on the material culture of both the British and the Jacobite forces in this conflict.

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